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"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror–its mechanisms, rationales, and intimate relation to United States foreign policy.As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.
- Sales Rank: #561498 in Books
- Published on: 1994-04-26
- Released on: 1994-04-26
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .28" w x 5.14" l, .27 pounds
- Binding: Paperback
- 112 pages
From Library Journal
Didion's 1983 volume captured "the terror and unpredictability permeating the El Salvadorean scene," said LJ's reviewer (LJ 3/1/83). Though political events in El Salvador are no longer in the public eye, this serves as a chronicle of a dark chapter in that country's tumultuous history.
Copyright 1994 Reed Business Information, Inc.
Review
"No one has interpreted the place better.... Salvador shines with enlightening observation, and its language is lean and precise, in short what we have come to expect from Ms. Didion." —The New York Times Book Review"[Didion has] the instincts of an exceptional reporter and the focus of a historian [as well as] a novelist's appreciation for the surreal. . . . Her clarity of style illuminates the vast darkness that engulfs El Salvador." —Los Angeles Times Book Review"Everything [Didion] writes grows out of close observation of the social landscape of El Salvador. And it is quite impossible to deny the artistic brilliance of her reportage. She brings the country to life so that it ends up invading our flesh."—The New York Times
From the Inside Flap
In 1982, Didion traveled to El Salvador at the height of the ghastly civil war. From battlefields to body dumps, she trained a merciless eye not only on the terror but also on the depredations and evasions of our own country's foreign policy.
Most helpful customer reviews
19 of 22 people found the following review helpful.
Vivid and haunting imagery and cause for reflection
By A Customer
Joan Didion's portrait of El Salvador left me with vivid and haunting imagery of daily, commonplace disappearances and murders; of body dumps; of the Metropolitan Cathedral that the late Archbishop Oscar Arnulfo Romero refused to finish, "on the premise that the work of the Church took precedence over its display;" of the ghostlike, dispelled National University ("It's not possible to speak of intellectual life in El Salvador"); of the United States' duplicitous role.
"Any situation can turn to terror. The most ordinary errand can go bad ... There is an endemic apprehension of danger in the apparently benign." Joan Didion makes it possible to imagine living this way, every day, with no escape, surrounded by brutal evidence of violent torture and death everywhere.
By the end of Ms. Didion's narrative, it becomes evident, if the reader did not already have some inkling at the beginning, that "American policy, by accepting the invention of 'communism,' as defined by the right in El Salvador, as a daemonic element to be opposed at even the most draconic cost, had in fact achieved the reverse." "To the right, anyone in the opposition was a communist ... where 'left' may mean, in the beginning, only a resistance to seeing one's family killed or disappeared ... In other words 'anti-communism' was seen, correctly, as the bait the United States would always take."
Reading Ms. Didion's firsthand report of the two weeks she lived in El Salvador in 1982 has made me hungry for more details. Her account is no ranting, "liberal" narrative, despite discussing a highly politically charged topic. It seemed truly a dispassionate observation of a country's life and culture laid to waste--our tax dollars at work. Truly cause for reflection on our government's--and our personal--role and effect on the lives of people with whom we share this earth.
3 of 3 people found the following review helpful.
Trageic but handled with the upmost care
By Stretchkev
Salvador is Didion's account her 2-week trip to El Salvador in 1982, then a country in the early stages of a 12 year brutal civil war. Her opening report describes some of the carnage and the everyday terror Salvadorans experience. The opening report is a vividly disturbing picture of just how cruel we can be to one another. From there Didion describes her encounters with various powerful citizens and American embassy officials, who relate the corruption and the utter confusion that permeates this civil war from the top to the bottom. From these interviews it is fairly plan to see that the Salvadorans and those in charge have become desensitized to the violence and disappearances, and are largely apathetic to any reforms proposed by the government. Yet the terror is still very much with them without abatement. Reconciliation is clearly not on the table and the average citizen has no hope that this war is ending soon. Also, discussed to some extent is the ineffectiveness of the U.S. Foreign policy in the murkiness of the civil war. A war in which our allies are more content with the continuation of this war in order to consolidate power rather than fight over ideological outcome or for a greater purpose. In the wake of needless bloodshed on such a massive scale, all an ambassador can do is work towards small victories like trials before executions and doing everything possible to insure the safety of the citizens in their charge.
Salvador is not a factual history of the war in 1982. It is, however, the war seen through the eyes of a journalist with limited time and resources in country. Bias is inherit in this kind of journalism and time and events told second hand become as fluid as the eye witness accounts. Didion tries to elevate these problems by sprinkling quotes and statements taken from official and vetted sources related to story is she is conveying. It's a one-sided truth, but I have not doubt that it is the truth to Didion. So while it's not a scholarly account of the events taking place in El Salvador in 1982, it is an invaluable piece that gives voice to the experiences and horrific events that shaped the lives of Salvadorans for over a decade.
Advice for other writers: Do not attempt to write like Didion unless your name is Didion. She does things with her sentence structure I didn't think was possible. At no point in my wildest imagination would paragraph sized sentence featuring a colon, a semi-colon, eight commas, and two sets of parentheses come off as anything but a clunky mess. Yet Didion's prose is so smooth and her phrasing so good that I hardly ever took notice of her peculiar style. She spews words onto the page and it comes out as a coherent, well constructed thought. She's a remarkable talent
9 of 17 people found the following review helpful.
Powerful, taut reportage of an excellent caliber!
By Christian Engler
Joan Didion's book is a reedy, powerful work of nonfiction that explores El Salvador's horrific civil war and the American government's dark involvement with helping certain individuals "to disappear." In this work, Didion travels from "battlefields to body dumps" to uncover what many in the political regime do not want covered. With gun shots echoing in the night, frightened citizens keeping quiet and the fear of imminent bloodshed on the minds of many, Salvador is a classic, true tale of political intrigue, violence and secrecy that is equil to the works of Thomas Hauser's Missing and Ryszard Kapuscinski's Shah of Shahs and The Soccar War(s). Joan Didion is a journalist and author who truly gets into 'the bush' of the matter.
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